More selected projects

Appercepcion. Lauba, Zagreb

Appercepcion. Lauba, Zagreb
Installation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverInstallation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, serverTwilight. Neither perception nor non-perception. Kunsthalle Bern, Bern Twilight. Neither perception nor non-perception. Kunsthalle Bern, Bern

Exhibitions . Frameworks / Okviri, in collaboration with Petar Mišković, Lea Pelivan, Toma Plejić, Croatian Pavilion, Arsenale – Artiglierie, 9th International Architecture Exhibition, La Biennale di Venezia. Frameworks / Okviri, in collaboration with Petar Mišković, Lea Pelivan, Toma Plejić, Croatian Pavilion, Arsenale – Artiglierie, 9th International Architecture Exhibition, La Biennale di Venezia. Exhibitions . Frameworks / Okviri, in collaboration with Petar Mišković, Lea Pelivan, Toma Plejić, Croatian Pavilion, Arsenale – Artiglierie, 9th International Architecture Exhibition, La Biennale di Venezia. Frameworks / Okviri, in collaboration with Petar Mišković, Lea Pelivan, Toma Plejić, Croatian Pavilion, Arsenale – Artiglierie, 9th International Architecture Exhibition, La Biennale di Venezia

Exhibitions . Frameworks / Okviri, in collaboration with Petar Mišković, Lea Pelivan, Toma Plejić, Croatian Pavilion, Arsenale – Artiglierie, 9th International Architecture Exhibition, La Biennale di Venezia. Frameworks / Okviri, in collaboration with Petar Mišković, Lea Pelivan, Toma Plejić, Croatian Pavilion, Arsenale – Artiglierie, 9th International Architecture Exhibition, La Biennale di Venezia. Exhibitions . Frameworks / Okviri, in collaboration with Petar Mišković, Lea Pelivan, Toma Plejić, Croatian Pavilion, Arsenale – Artiglierie, 9th International Architecture Exhibition, La Biennale di Venezia. Frameworks / Okviri, in collaboration with Petar Mišković, Lea Pelivan, Toma Plejić, Croatian Pavilion, Arsenale – Artiglierie, 9th International Architecture Exhibition, La Biennale di Venezia
Exhibitions . Frameworks / Okviri, in collaboration with Petar Mišković, Lea Pelivan, Toma Plejić, Croatian Pavilion, Arsenale – Artiglierie, 9th International Architecture Exhibition, La Biennale di Venezia. Frameworks / Okviri, in collaboration with Petar Mišković, Lea Pelivan, Toma Plejić, Croatian Pavilion, Arsenale – Artiglierie, 9th International Architecture Exhibition, La Biennale di Venezia. Exhibitions . Frameworks / Okviri, in collaboration with Petar Mišković, Lea Pelivan, Toma Plejić, Croatian Pavilion, Arsenale – Artiglierie, 9th International Architecture Exhibition, La Biennale di Venezia. Frameworks / Okviri, in collaboration with Petar Mišković, Lea Pelivan, Toma Plejić, Croatian Pavilion, Arsenale – Artiglierie, 9th International Architecture Exhibition, La Biennale di Venezia

Introducing gaps 

2008. Five printed drawings. Silkscreen on paper. 32 x 32 cm each.

Small sections of each line of the network that is based on polygonal shapes are extracted from it; the gaps are introduced. The shape of the network is still readable though, as we reify the missing parts in our minds. As the gaps become larger, the leftover constellation of dots doesn’t reveal the underlying network anymore, but tells another story. To introduce a gap means to render the underlying structure invisible. How much information about the structure do we need to be able to recover it in our minds?

Photo Kristina Lenard