Photos: Gunnar Meier, Ivana Franke
Twilight. Neither perception nor non-perception
Kunsthalle Bern, Bern, June 11 - August 07, 2023
Ivana Franke’s first solo exhibition in Switzerland provides a moment to recalibrate our habitual ways of seeing and being in the world, opening apertures to other viewpoints. Franke is known for her site-responsive works which question the thresholds of our perception by creating a connection between the viewer’s consciousness and the environment. Her multi-disciplinary work draws on neuroscience, mathematics, optics and architecture, pointing to a wider understanding of artistic practice and its relevance to other disciplines, as well as to the validity of entangled practices.
You enter a dark room. You are completely immersed in it. Your eyes need to adjust to this new environment. You are unsure of your next step. You stop and move slowly. There is a time of uncertainty before you regain your sight. Before you start making meaning based on what you are seeing and what you already know. Before you make quick associations and judgements. It is in these few somewhat negligible seconds that are emptiest from associations. In those seconds while adjusting, you are more alert, you are more aware of the rest of your body in relation to the space, and your place in it. I find this moment to be most productive, the moment where we are not sure—when we are most open. This is a moment of attention. I would like to ask us to hold on to this moment of openness, free from what we already know and open to other possibilities of moving and being in the world.
Seeing and feeling, an internal process is informed by exteriority—how we have been socialised to make meaning. What I see is coloured by my experience, background and socialisation, making a seemingly objective act inextricably biased. On top of that, memory is unstable—your reading of the world often colours how you make meaning of what you remember which in turn changes as your perception shifts.
Twilight. Neither perception nor non-perception poses compelling questions; “Do we only see what we know? What can dislocate us from our comfortable, predefined point of view, and challenge our gaze on the world?”3 And potentially, can we read the world anew if we suspend for a moment our habits and biases?
From the text by Kabelo Malatsie
Retreat into Darkness, 2017 - 2022
Installation in a dark space. Two sculptures - aluminum constructions with monofilament nets, three light bulbs, control units. Diameter 300 x 270 cm, 50 x 50 x 50 cm
Lovers Seeing Darkness, 2018 - 2022
Installation in a dark space. Two sculptures (steel construction, monofilament): 400 x 400 x 200 cm, 43 x 43 x 50 cm, 5 metal strips 300 x 3 x 3 cm, 6 LED lights with control units, motor, server
Apparent Formations, 2022
Installation in a dark space. Metal frames (steel and aluminium), monofilament, steel stand, LED lamp, control unit. Dimensions variable, three frames 100 x 100 x 1 cm
From the Faraway Past and From the Future, 2014
Aluminium construction, monofilament, LED lights, electric transformers 160 x 400 cm
Animated Sphere, 2008 (of boundless space 2022)
Metal construction, monofilament, light bulb, electric transformer
Diameter 105 cm
Transparent glossy foil, aluminium support, steel wire, daylight. Dimensions variable.
Neither perception nor non-perception, 2022
Monofilament net, ca 40 x 60 x 30 cm
Boxed-in Infinite Polyhedron, 2010
Acrylic glass, monofilament 76 x 76 x 76 cm
Chairs outside of human consciousness, 2019
Video documentation of lecture-performance, 15 min
Metal construction (powder-coated aluminium, steel), monofilament, light. Diameter of the sphere 100 cm, lamp dimension 400 x 1,5 x 1,5 cm
Planetary Nebula, 2020
(World_t012345_A6_0). UV direct pigment print on aluminium compound, rubber frame, back support. 160 × 160 cm
Hyper Living Room, 2019
Sections 33, 35, 36. Double-sided UV direct pigment print on acrylglas, wooden frame. 25 x 25 cm, framed 28 x 28 x 4 cm
Bridging Worlds, 2022
Strobe lights, control system, 2200 x 15 x 10 cm